Material sounds outlast events
Drips, fire, wind and footsteps are not decorative realism. Their duration gives rooms and landscapes a time of their own.
Director listening trail
Andrei Tarkovsky
An editorial profile and selected route through a filmmaker's recurring sonic ideas.
Featured filmmaker
Tarkovsky's cinema lets water, wind, distant machinery, voices and music alter the felt duration of an image and the boundary between material place and memory.
An editorial listening route based on recurring formal evidence across the connected films.
A place may also be a mind
In Solaris, Mirror and Stalker, acoustic transitions can move between environment, recollection and inner experience without announcing which realm has taken control.
Music enters a field already composed
Electronic treatment, existing music and environmental sound meet without a fixed hierarchy, allowing the soundtrack to remain suspended between the recognisable and the transformed.
Starting sources