1954
Rhythm · Weather · Bodies
Seven Samurai
Directed by Akira Kurosawa
Hooves, rain, mud, cries and percussive music organise battle as a changing physical rhythm rather than a blur of action.
Way of listening
Bodies.
How does sound give weight, vulnerability or strangeness to flesh?
A curated path through the Landmarks. Highlight any phrase on the page to continue searching across the wider catalogue.
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1977
Machines · Bodies · Sound becoming music
Eraserhead
Directed by David Lynch
Industrial hum, wind and bodily noise never release their pressure; the world sounds less like a location than a machine dreaming a human life.
1993
Voices · Bodies · Space
Jurassic Park
Directed by Steven Spielberg
Animal recordings, performance and radical shifts of scale give extinct creatures voices that feel biologically plausible, emotionally expressive and physically present.
2013
Bodies · Subjective listening · Music becoming sound
Under the Skin
Directed by Jonathan Glazer
Familiar human spaces are estranged by hidden-recorded voices, bodily textures and a score that behaves like an alien sensory system.
1968
Silence · Machines · Music becoming sound
2001: A Space Odyssey
Directed by Stanley Kubrick
Breathing, machinery, classical music and the silence of vacuum make human life feel fragile inside systems of immense technological and cosmic scale.
2012
Voices · Bodies · Rhythm
Les Misérables
Directed by Tom Hooper
Singing recorded live on set lets breath, tempo and vocal strain follow performance in the moment instead of forcing actors to reproduce a fixed playback.
2019
Subjective listening · Bodies · Silence
Sound of Metal
Directed by Darius Marder
Hearing loss is approached through changing filters, vibration, silence and technological mediation, making listening a question of identity rather than a single simulation effect.