Voices · Off-screen worlds · Recording & playback
M
Directed by Fritz Lang
A murderer's whistle enters the film before he does; voice, repetition and off-screen sound turn recognition itself into suspense.
Way of listening
What changes when a sound is captured, replayed and interpreted?
A curated path through the Landmarks. Highlight any phrase on the page to continue searching across the wider catalogue.
Voices · Off-screen worlds · Recording & playback
Directed by Fritz Lang
A murderer's whistle enters the film before he does; voice, repetition and off-screen sound turn recognition itself into suspense.
Recording & playback · Subjective listening · Distortion
Directed by Francis Ford Coppola
A recorded sentence changes meaning each time it is filtered and replayed; surveillance sound becomes an unstable projection of the listener's guilt.
Recording & playback · Subjective listening · Sound–image contradiction
Directed by Brian De Palma
A gunshot hidden inside a tyre blowout becomes audible evidence; recording, synchronisation and editing turn listening into political investigation.