1979
War · Subjective listening · Music becoming sound
Apocalypse Now
Directed by Francis Ford Coppola
Helicopters become ceiling fans, Wagner becomes a weapon, and the jungle alternates between hallucinatory interior and overwhelming battlefield.
Way of listening
Music becoming sound.
Where does score enter the physical world?
A curated path through the Landmarks. Highlight any phrase on the page to continue searching across the wider catalogue.
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1989
Cities · Voices · Music becoming sound
Do the Right Thing
Directed by Spike Lee
Voices claim space, radios compete, and one song becomes character, argument and public territory on a single Brooklyn block.
2001
Voices · Acoustic memory · Music becoming sound
Mulholland Dr.
Directed by David Lynch
A voice insists that there is no band, yet music overwhelms the room; performance, recording and memory become impossible to separate.
2008
Voices · Machines · Music becoming sound
WALL-E
Directed by Andrew Stanton
A machine with few words becomes emotionally legible through motors, gestures and designed vocal fragments.
2013
Bodies · Subjective listening · Music becoming sound
Under the Skin
Directed by Jonathan Glazer
Familiar human spaces are estranged by hidden-recorded voices, bodily textures and a score that behaves like an alien sensory system.
2023
Off-screen worlds · Space · Sound–image contradiction
The Zone of Interest
Directed by Jonathan Glazer
Domestic routine occupies the image while an extermination camp persists in sound beyond the wall; the unheard cannot be made harmless by remaining unseen.
1968
Silence · Machines · Music becoming sound
2001: A Space Odyssey
Directed by Stanley Kubrick
Breathing, machinery, classical music and the silence of vacuum make human life feel fragile inside systems of immense technological and cosmic scale.
1977
Machines · Voices · Space
Star Wars: Episode IV – A New Hope
Directed by George Lucas
Organic recordings give impossible machines, weapons and creatures an instantly legible physical life; an invented galaxy sounds used, inhabited and real.
1982
Cities · Machines · Voices
Blade Runner
Directed by Ridley Scott
Rain, multilingual crowds, industrial distance and Vangelis's electronics merge into a city whose weather, technology and memory cannot be separated.
2013
Space · Subjective listening · Silence
Gravity
Directed by Alfonso Cuarón
With no air to carry conventional effects, impacts travel through bodies, suits, transmitted voices and score while spatial movement makes disorientation audible.
2017
Rhythm · Subjective listening · Music becoming sound
Baby Driver
Directed by Edgar Wright
Songs, engines, footsteps, gunfire and edits share one pulse; the action is heard through a driver who uses music to organise both movement and tinnitus.