Way of listening

Off-screen worlds.

What exists beyond the frame?

A curated path through the Landmarks. Highlight any phrase on the page to continue searching across the wider catalogue.

1931

Voices · Off-screen worlds · Recording & playback

M

Directed by Fritz Lang

A murderer's whistle enters the film before he does; voice, repetition and off-screen sound turn recognition itself into suspense.

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1956

Off-screen worlds · Silence · Subjective listening

A Man Escaped

Directed by Robert Bresson

A prisoner builds freedom by listening: keys, footsteps, trains and unseen guards turn the walls of a cell into an acoustic map.

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1967

Cities · Off-screen worlds · Rhythm

Playtime

Directed by Jacques Tati

The city has no acoustic centre. Footsteps, doors, chairs, machines and fragments of conversation continually redirect attention across Tati's wide frames.

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2015

Off-screen worlds · War · Subjective listening

Son of Saul

Directed by László Nemes

A narrow image withholds the camp; voices, machinery and violence beyond the frame construct the world Saul cannot stop moving through.

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2017

Nature · Off-screen worlds · Distortion

Zama

Directed by Lucrecia Martel

Animal calls, insects and impossible resonances detach the colonial outpost from realism, as though the landscape refuses to remain background.

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2023

Off-screen worlds · Space · Sound–image contradiction

The Zone of Interest

Directed by Jonathan Glazer

Domestic routine occupies the image while an extermination camp persists in sound beyond the wall; the unheard cannot be made harmless by remaining unseen.

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2018

Space · Cities · Off-screen worlds

Roma

Directed by Alfonso Cuarón

Long takes are surrounded by fluid, densely layered movement; homes, streets, demonstrations and the sea continue acoustically far beyond the frame.

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